British Fantasy Awards 2026

  • Die BFS (das ist die British Fantasy Society) hat die Nominierungen für die diesjährigen British Fantasy Awards bekanntgegeben:



    Best Fantasy Novel (the Robert Holdstock Award)

    • A Song of Legends Lost, M.H. Ayinde (Orbit)
    • The Outcast Mage, Annabel Campbell (Orbit)
    • Magic, Maps, and Mischief, David Green (self-published)
    • Daughters of Nicnevin, Shona Kinsella (Flame Tree)
    • Grave Empire, Richard Swan (Orbit)
    • Upon a Starlit Tide, Kell Woods (Tor US; Titan UK)

    Best Horror Novel (the August Derleth Award)

    • Hungerstone, Kat Dunn (Zando US; Manilla UK)
    • Black Flame, Gretchen Felker-Martin (Tor Nightfire US; Titan UK)
    • The Needfire, MK Hardy (Solaris)
    • Witchcraft for Wayward Girls, Grady Hendrix (Berkley US; Tor Nightfire UK)
    • Lionhearts, Dan Howarth (Northern Republic UK)
    • The Buffalo Hunter Hunter, Stephen Graham Jones (Saga US; Titan UK)

    Best Novella

    • The Nga’phandileh Whisperer: A Sauútiverse Novella, Eugen Bacon (Stars and Sabers)
    • Fate’s Bane, C.L. Clark (Tordotcom)
    • The River Has Roots, Amal El-Mohtar (Tordotcom US; Arcadia UK)
    • “Walking A Wounded Land”, Andrew Knighton (Wiz Duos 3)

    Best Short Fiction

    • “Down Street”, James Bennett (Blood in the Bricks)
    • “Godzilla as a Young Man Named Mike”, E.M. Faulds, narrated by Eliza Chan (PodCastle 7/29/25)
    • “Shadow Jack”, CL Hellisen (GigaNotoSaurus 5/1/25)
    • “No One Knows the Old Ways Anymore and It Will Be the End of Everything”, LJ McMenemy (Hiding Under the Leaves)

    Best Collection

    • Call and Response, Christopher Caldwell (Neon Hemlock)
    • Wolf’s Path, Joyce Chng (Atthis Arts)
    • Dark Crescent, Lyndsey Croal (Luna Press Publishing)
    • Who Will You Save, Gareth L. Powell (Titan)
    • Into Wrack and Ruin, Benjamin Kurt Unsworth (Phantasmagoria)

    Best Anthology

    • Lesbians In Space: Where No Man Has Gone Before, J.S. Fields, Heather Tracy & William C. Tracy, eds. (Space Wizard Science Fantasy)
    • This Way Lies Madness, Dave Jeffery & Lee Murray, eds. (Flame Tree)
    • Silk & Sinew: A Collection of Folk Horror From the Asian Diaspora, Kristy Park Kulski, ed. (Bad Hand)
    • Blood in the Bricks, Neil Williamson, ed. (NewCon)

    Best Independent Press

    • Black Shuck
    • Flame Tree
    • Luna Press Publishing
    • NewCon

    Best Non-Fiction

    • “Spec Fic and the Politics of Identity: Finding the Self in Other”, Eugen Bacon (Strange Horizons 3/24/25)
    • Nigerian Speculative Fiction: The Evolution, Chukwunonso Ezeiyoke (Routledge India)
    • Writing The Magic: Essays on Crafting Fantasy Fiction, Dan Coxon & Richard V. Hirst (Dead Ink)
    • The Ecological Imaginary in Literature and Other Media: The Nature of Fantasy, Kevan Manwaring (Routledge)
    • Britain’s Folklore Year: A seasonal journey through our customs, celebrations and rituals, Mark Norman (National Trust)
    • The Full Lid, Alasdair Stuart, edited by Marguerite Kenner

    Best Magazine / Periodical

    • Ginger Nuts of Horror
    • Mythaxis
    • Phantasmagoria
    • Remains
    • Strange Horizons

    Best Artist

    • Ben Baldwin
    • Kelly Chong
    • Vincent Chong
    • Jenni Coutts
    • Mina Ikemoto Ghosh

    Best Audio (Fiction)

    • The Shape of Monsters, CL Hellisen, narrated by Omari Douglas (Audible Originals)
    • PodCastle
    • PseudoPod
    • The Tiny Bookcase

    Best Audio (Non-Fiction)

    • Breaking The Glass Slipper
    • Fantasy Book Swap
    • The Folklore Podcast
    • Uncanny

    Best Newcomer

    • M.H. Ayinde for A Song of Legends Lost (Orbit)
    • Annabel Campbell for The Outcast Mage (Orbit)
    • MK Hardy for The Needfire (Solaris)
    • Ana Sun for Futures to Live By (NewCon)


    Die Gewinner und Gewinnerinnen jedweden Geschlechts werden auf dem Fantasycon 2026 verkündet werden, der vom 09-11 Oktober 2026 im schottischen Glasgow stattfinden wird.

    He was bigger than me even, and he moved with a silence I envied, some piece of the night cut loose and drifting against lesser blacknesses. (Roger Zelazny, A Night in the Lonesome October)

  • Am vergangenen Wochenende hat die BFS die Siegertitel der diesjährigen British Fantasy Awards bekanntgegeben:


    Best Fantasy Novel (the Robert Holdstock Award)

    • WINNER: Upon a Starlit Tide, Kell Woods (Tor US; Titan UK)
    • A Song of Legends Lost, M.H. Ayinde (Orbit)
    • The Outcast Mage, Annabel Campbell (Orbit)
    • Magic, Maps, and Mischief, David Green (self-published)
    • Daughters of Nicnevin, Shona Kinsella (Flame Tree)
    • Grave Empire, Richard Swan (Orbit)

    Best Horror Novel (the August Derleth Award)

    • WINNER: The Buffalo Hunter Hunter, Stephen Graham Jones (Saga US; Titan UK)
    • Hungerstone, Kat Dunn (Zando US; Manilla UK)
    • Black Flame, Gretchen Felker-Martin (Tor Nightfire US; Titan UK)
    • The Needfire, MK Hardy (Solaris)
    • Witchcraft for Wayward Girls, Grady Hendrix (Berkley US; Tor Nightfire UK)
    • Lionhearts, Dan Howarth (Northern Republic UK)

    Best Novella

    • WINNER: The River Has Roots, Amal El-Mohtar (Tordotcom US; Arcadia UK)
    • The Nga’phandileh Whisperer: A Sauútiverse Novella, Eugen Bacon (Stars and Sabers)
    • Fate’s Bane, C.L. Clark (Tordotcom)
    • “Walking A Wounded Land”, Andrew Knighton (Wiz Duos 3)

    Best Short Fiction

    • WINNER: “Shadow Jack”, CL Hellisen (GigaNotoSaurus 5/1/25)
    • “Down Street”, James Bennett (Blood in the Bricks)
    • “Godzilla as a Young Man Named Mike”, E.M. Faulds, narrated by Eliza Chan (PodCastle 7/29/25)
    • “No One Knows the Old Ways Anymore and It Will Be the End of Everything”, LJ McMenemy (Hiding Under the Leaves)

    Best Collection

    • WINNER: Call and Response, Christopher Caldwell (Neon Hemlock)
    • Wolf’s Path, Joyce Chng (Atthis Arts)
    • Dark Crescent, Lyndsey Croal (Luna Press Publishing)
    • Who Will You Save, Gareth L. Powell (Titan)
    • Into Wrack and Ruin, Benjamin Kurt Unsworth (Phantasmagoria)

    Best Anthology

    • WINNER: Silk & Sinew: A Collection of Folk Horror From the Asian Diaspora, Kristy Park Kulski, ed. (Bad Hand)
    • Lesbians In Space: Where No Man Has Gone Before, J.S. Fields, Heather Tracy & William C. Tracy, eds. (Space Wizard Science Fantasy)
    • This Way Lies Madness, Dave Jeffery & Lee Murray, eds. (Flame Tree)
    • Blood in the Bricks, Neil Williamson, ed. (NewCon)

    Best Independent Press

    • WINNER: NewCon
    • Black Shuck
    • Flame Tree
    • Luna Press Publishing

    Best Non-Fiction

    • WINNER: Nigerian Speculative Fiction: The Evolution, Chukwunonso Ezeiyoke (Routledge India)
    • “Spec Fic and the Politics of Identity: Finding the Self in Other”, Eugen Bacon (Strange Horizons 3/24/25)
    • Writing The Magic: Essays on Crafting Fantasy Fiction, Dan Coxon & Richard V. Hirst (Dead Ink)
    • The Ecological Imaginary in Literature and Other Media: The Nature of Fantasy, Kevan Manwaring (Routledge)
    • Britain’s Folklore Year: A seasonal journey through our customs, celebrations and rituals, Mark Norman (National Trust)
    • The Full Lid, Alasdair Stuart, edited by Marguerite Kenner

    Best Magazine / Periodical

    • WINNER: Remains
    • Ginger Nuts of Horror
    • Mythaxis
    • Phantasmagoria
    • Strange Horizons

    Best Artist

    • WINNER: Jenni Coutts
    • Ben Baldwin
    • Kelly Chong
    • Vincent Chong
    • Mina Ikemoto Ghosh

    Best Audio (Fiction)

    • WINNER: The Shape of Monsters, CL Hellisen, narrated by Omari Douglas (Audible Originals)
    • PodCastle
    • PseudoPod
    • The Tiny Bookcase

    Best Audio (Non-Fiction)

    • WINNER: The Folklore Podcast
    • Breaking The Glass Slipper
    • Fantasy Book Swap
    • Uncanny

    Best Newcomer

    • WINNER: Annabel Campbell for The Outcast Mage (Orbit)
    • M.H. Ayinde for A Song of Legends Lost (Orbit)
    • MK Hardy for The Needfire (Solaris)
    • Ana Sun for Futures to Live By (NewCon)

    The Karl Edward Wagner Award went to Jane Johnson, and the Legends of Fantasycon Award went to Chloe Yates.

    He was bigger than me even, and he moved with a silence I envied, some piece of the night cut loose and drifting against lesser blacknesses. (Roger Zelazny, A Night in the Lonesome October)

  • Stephen Graham Jones' The Buffalo Hunter Hunter hat damit neben dem Stoker Award 2025 und dem Nebula, Hugo und Ignyte Award 2026 nun auch noch den British Fantasy Award in seiner Horror-Inkarnation - sprich: den August Derleth Award 2026 - gewonnen. Oder, anders gesagt: Auch wenn man mit Horror nicht allzuviel am Hut hat, klingt das nach einem lesenswerten Roman, der bislang allerdings nur in einer teuren Vorzugsausgabe auf Deutsch vorliegt (wobei ich mir vorstellen kann, dass es den Roman irgendwann auch in einer günstigeren Version geben wird).


    Oder man muss ihn sich halt gleich auf Englisch besorgen ... :biggrin2:

    He was bigger than me even, and he moved with a silence I envied, some piece of the night cut loose and drifting against lesser blacknesses. (Roger Zelazny, A Night in the Lonesome October)

  • Kleine Frage in diesem Kontext:


    Ich hatte keineswegs den Ehrgeiz, sämtliche Genrepreise hier aufzulisten (sonst hätte ich zumindest die für den deutschen Sprachraum dazunehmen müssen), sondern habe mich eher bemüht, einen einigermaßen breiten Querschnitt zu bieten, was u.a. dazu führt bzw. geführt hat, dass Preise wie die Ignyte Awards oder die Dragon Awards hier nie aufgeführt wurden. Beide Preise - und noch ein paar vor allem us-amerikanische Preise mehr - existieren lange genug, dass es auf einer Ebene gerechtfertigt wäre, sie hier aufzunehmen. Falls also daran Interesse besteht, sagt einfach Bescheid.

    He was bigger than me even, and he moved with a silence I envied, some piece of the night cut loose and drifting against lesser blacknesses. (Roger Zelazny, A Night in the Lonesome October)

  • Ups ... :eek2:


    Naja, ich bin einigermaßen entschuldigt, denn auf der Seite mit dem HC steht nichts von einer Kindle-Ausgabe. (Ist natürlich trotzdem blöd.)

    He was bigger than me even, and he moved with a silence I envied, some piece of the night cut loose and drifting against lesser blacknesses. (Roger Zelazny, A Night in the Lonesome October)

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