British Fantasy Awards 2026

  • Die BFS (das ist die British Fantasy Society) hat die Nominierungen für die diesjährigen British Fantasy Awards bekanntgegeben:



    Best Fantasy Novel (the Robert Holdstock Award)

    • A Song of Legends Lost, M.H. Ayinde (Orbit)
    • The Outcast Mage, Annabel Campbell (Orbit)
    • Magic, Maps, and Mischief, David Green (self-published)
    • Daughters of Nicnevin, Shona Kinsella (Flame Tree)
    • Grave Empire, Richard Swan (Orbit)
    • Upon a Starlit Tide, Kell Woods (Tor US; Titan UK)

    Best Horror Novel (the August Derleth Award)

    • Hungerstone, Kat Dunn (Zando US; Manilla UK)
    • Black Flame, Gretchen Felker-Martin (Tor Nightfire US; Titan UK)
    • The Needfire, MK Hardy (Solaris)
    • Witchcraft for Wayward Girls, Grady Hendrix (Berkley US; Tor Nightfire UK)
    • Lionhearts, Dan Howarth (Northern Republic UK)
    • The Buffalo Hunter Hunter, Stephen Graham Jones (Saga US; Titan UK)

    Best Novella

    • The Nga’phandileh Whisperer: A Sauútiverse Novella, Eugen Bacon (Stars and Sabers)
    • Fate’s Bane, C.L. Clark (Tordotcom)
    • The River Has Roots, Amal El-Mohtar (Tordotcom US; Arcadia UK)
    • “Walking A Wounded Land”, Andrew Knighton (Wiz Duos 3)

    Best Short Fiction

    • “Down Street”, James Bennett (Blood in the Bricks)
    • Godzilla as a Young Man Named Mike”, E.M. Faulds, narrated by Eliza Chan (PodCastle 7/29/25)
    • Shadow Jack”, CL Hellisen (GigaNotoSaurus 5/1/25)
    • “No One Knows the Old Ways Anymore and It Will Be the End of Everything”, LJ McMenemy (Hiding Under the Leaves)

    Best Collection

    • Call and Response, Christopher Caldwell (Neon Hemlock)
    • Wolf’s Path, Joyce Chng (Atthis Arts)
    • Dark Crescent, Lyndsey Croal (Luna Press Publishing)
    • Who Will You Save, Gareth L. Powell (Titan)
    • Into Wrack and Ruin, Benjamin Kurt Unsworth (Phantasmagoria)

    Best Anthology

    • Lesbians In Space: Where No Man Has Gone Before, J.S. Fields, Heather Tracy & William C. Tracy, eds. (Space Wizard Science Fantasy)
    • This Way Lies Madness, Dave Jeffery & Lee Murray, eds. (Flame Tree)
    • Silk & Sinew: A Collection of Folk Horror From the Asian Diaspora, Kristy Park Kulski, ed. (Bad Hand)
    • Blood in the Bricks, Neil Williamson, ed. (NewCon)

    Best Independent Press

    • Black Shuck
    • Flame Tree
    • Luna Press Publishing
    • NewCon

    Best Non-Fiction

    • Spec Fic and the Politics of Identity: Finding the Self in Other”, Eugen Bacon (Strange Horizons 3/24/25)
    • Nigerian Speculative Fiction: The Evolution, Chukwunonso Ezeiyoke (Routledge India)
    • Writing The Magic: Essays on Crafting Fantasy Fiction, Dan Coxon & Richard V. Hirst (Dead Ink)
    • The Ecological Imaginary in Literature and Other Media: The Nature of Fantasy, Kevan Manwaring (Routledge)
    • Britain’s Folklore Year: A seasonal journey through our customs, celebrations and rituals, Mark Norman (National Trust)
    • The Full Lid, Alasdair Stuart, edited by Marguerite Kenner

    Best Magazine / Periodical

    • Ginger Nuts of Horror
    • Mythaxis
    • Phantasmagoria
    • Remains
    • Strange Horizons

    Best Artist

    • Ben Baldwin
    • Kelly Chong
    • Vincent Chong
    • Jenni Coutts
    • Mina Ikemoto Ghosh

    Best Audio (Fiction)

    • The Shape of Monsters, CL Hellisen, narrated by Omari Douglas (Audible Originals)
    • PodCastle
    • PseudoPod
    • The Tiny Bookcase

    Best Audio (Non-Fiction)

    • Breaking The Glass Slipper
    • Fantasy Book Swap
    • The Folklore Podcast
    • Uncanny

    Best Newcomer

    • M.H. Ayinde for A Song of Legends Lost (Orbit)
    • Annabel Campbell for The Outcast Mage (Orbit)
    • MK Hardy for The Needfire (Solaris)
    • Ana Sun for Futures to Live By (NewCon)


    Die Gewinner und Gewinnerinnen jedweden Geschlechts werden auf dem Fantasycon 2026 verkündet werden, der vom 09-11 Oktober 2026 im schottischen Glasgow stattfinden wird.

    He was bigger than me even, and he moved with a silence I envied, some piece of the night cut loose and drifting against lesser blacknesses. (Roger Zelazny, A Night in the Lonesome October)

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